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Dyson x dotplot
Project Type
Branding
Date
February 2024
The Brief
Develop a visual identity for Dotplot’s breast health device, naming the product and the product classification
The Challenge
We were required to demonstrate the identity across a range of touch points, developing a convincing messaging hierarchy, identifying the problem, present the Dotplot device as the solution.
We were tasked with activating this messaging across different locations and channels, including product packaging, user instructions, and a supporting mobile app, to help communicate the importance of breast health and act as a guide for self examination and recording any changes.
The Solution
My Affirmative design solution highlighted how existing suggestions to solve the issue around plastic microfibre pollution mainly involved capturing these fibres, either in sewage processing or at the source in household laundry. In contrast to this, I wanted to explore the possibility of engaging with the materiality of the clothing itself. My research highlighted the enormous levels of synthetic textiles used in current garment production, compared to our historic use of natural fibres like cotton, linen and wool.
Researching this line of enquiry further, I discovered just how neglected the Welsh woollen industry is. This connection between materials, environment and culture lead to the development of a proposed initiative between the British Wool Board and the Welsh Government, with funding from the National Lottery Heritage Fund, will incentivise the production of renewable wool, as well as connecting them with welsh woollen mills to reinvigorate and incentivise the production and market of woollen garments.
As this affirmative solution to the issue of microplastics involved the promotion of the woollen industry in Wales, communicating the heritage feeling through the visual language was key. This included taking motifs from Welsh textile designs, maintaining a clean, monochromatic colour pallet to emphasis the connection to the Welsh landscapes and implementing a cross-stitch display type, relating the visual language back to craft and materials.
To effectively contextualise the concept for the affirmative design solution, I developed a logo and visual identity concept.
Taking inspiration and shape motifs from Welsh textile and heritage crafts, the logo takes the form of a sheep and farmer, indicating the benefit for both human and non human communities. The logotype uses a sophisticated, vintage feeling serif type to communicate the return to more traditional methods of textile production and its benefit for people and the planet.